55 €, Electronic Music with orchestra ( cond. ) �^3m%�k���7hT�f/��u�0�94*��΍$D�L�dT8A��%�쇢�b�7n�F���jC����챢�A�3Z�ǭi=p�(M�px�')kq�XԲ�¡�o�f�yD�,�.��J�Iy���0���a�$rPQ��G]�->�f�'_:+E~�'�e�*�q�*�q�t �|��o3�M���WA�H�#5@ In case you prefer additional AIR MAIL, please send us an e-mail and we can tell you the extra costs for your parcel. 17 0 obj Since 1991, a complete edition of all recordings in which Karlheinz Stockhausen has personally participated is being released on compact discs. endobj 47 €, for orchestra and tape (cond.)

form of rhythms, melodies, arpeggios, impulses, continuous tones, etc., Stockhausen ended up with a collection of continous tones of different timbres.

Analysis, explanation and personal impressions of the works of the avant-garde composer Karlheinz Stockhausen. interested in Stockhausen’s work for piano, percussion and tape, Kontakte. endobj 2 0 obj Final pulses have gradually altered "filter feedback time" so that the timbre becomes metallic. 12⅔), composed in 1961, incorporates all of the second version of Kontakte (Stockhausen 1964, 107). 24.50 €, Adorations for one or two soloists and orchestra to 74 ( cond. )

10 0 obj

The main text (.

All rights reserved. 26.50 €, for voice and chordal instrument for bass and chordal instrument

2014. Stockhausen realised the electronic music and participated in these recordings as conductor, performer, sound projectionist, and musical director. << /BleedBox [ 19.8425 19.8425 625.157 670.157 ] /Contents 41 0 R /CropBox [ 19.8425 19.8425 625.157 670.157 ] /MediaBox [ 0.0 0.0 645.0 690.0 ] /Parent 4 0 R /Resources << /ColorSpace << /CS0 29 0 R >> /ExtGState << /GS0 30 0 R /GS1 40 0 R >> /Font << /T1_0 31 0 R /T1_1 32 0 R /T1_2 38 0 R /T1_3 34 0 R /T1_4 33 0 R >> /ProcSet [ /PDF /Text ] >> /Rotate 0 /TrimBox [ 21.0 21.0 624.0 669.0 ] /Type /Page >> "window": layers of tempo polyphony suddenly thin out (pause) so that a solo layer can be featured.

50.50 €, 12 Melodies of the Star Signs for a melody and/or a chordal instrument endobj A further, theatrical work, Originale (Nr. %PDF-1.4 The performance score indicates … 199 €, for piano with 3 wood blocks, sampler celesta with vibraphone with 3 cow bells and glockenspiel , sound projectionist

11: each of the 5 layers modulates between "points" (isolated accents) and rapid chords or sounds, polyphonically, with long general pauses, chords and a few independent notes, legato. (creating changing levels of density) (m.87-90?).

So, when "tempo polyphony" is desired, Stockhausen notates the score using 5 basic "time measures": "so schnell wie möglich" : tempo as FAST as possible, based on the performer's skill level.

<< /A << /S /URI /Type /Action /URI (https://apropos.erudit.org/fr/usagers/politique-dutilisation/) >> /Border [ 0 0 0 ] /Rect [ 306 82.125 500.796 91.125 ] /Subtype /Link /Type /Annot >> 96 €, electronic music / sound proj. 26.50 €, for chamber orchestra ( perhaps cond. )

sound proj. endobj

E�Z�Z��`�vSU��D�U�? 100 €, POLE for 2 players / singers with 2 short-wave receivers / sound proj. 1 0 obj The composition exists in two forms: (1) for electronic sounds alone, designated "Nr.

/ sound proj. << /A << /S /URI /Type /Action /URI (https://id.erudit.org/iderudit/037453ar) >> /Border [ 0 0 0 ] /Rect [ 56.368 479.4 200.672 489 ] /Subtype /Link /Type /Annot >> On the other hand, "Kontakte is arguably the last of Stockhausen's tape pieces in which serial proportions intervene decisively at anything but the broad formal level" (Toop 1981, 189). 7 pulses play a melody in the middle and then hold again, slightly lower. KONTAKTE Scores ORIGINALE Score Four Criteria of Electronic Music (Stockhausen on Music) The Concept of Unity in Electronic Music (Stockhausen, PoNM 1) Wikipedia Entry Works of Karlheinz Stockhausen (Robin Maconie) Electronic Music of Karlheinz Stockhausen (Heikinheimo) Compositional techniques in the music of Stockhausen (1951-1970) (John Kelsall PDF) Kontakte by Karlheinz Stockhausen … << /BleedBox [ 19.8425 19.8425 625.157 670.157 ] /Contents 39 0 R /CropBox [ 19.8425 19.8425 625.157 670.157 ] /MediaBox [ 0.0 0.0 645.0 690.0 ] /Parent 4 0 R /Resources << /ColorSpace << /CS0 29 0 R >> /ExtGState << /GS0 30 0 R /GS1 40 0 R >> /Font << /T1_0 31 0 R /T1_1 32 0 R /T1_2 34 0 R /T1_3 35 0 R /T1_4 33 0 R >> /ProcSet [ /PDF /Text ] >> /Rotate 0 /TrimBox [ 21.0 21.0 624.0 669.0 ] /Type /Page >> 12 in the composer's catalogue of works, and is dedicated to Otto Tomek [ de].

6 individual editions of sections of the Europe Version 1972 are available in bound, reduced format. 6 individual editions of sections of the Europe Version 1972 are available in bound, reduced format. 12½" (Frisius 2008, 132; Heikinheimo 1972, 115; Stockhausen 1964, 104; Stockhausen 1971, 384). endobj << /A << /S /URI /Type /Action /URI (https://www.erudit.org/fr/revues/circuit/) >> /Border [ 0 0 0 ] /Rect [ 36 342 107.64 352 ] /Subtype /Link /Type /Annot >> Stockhausen also made advances over his previous electronic composition, Gesang der Jünglinge, in the realm of spatial composition, adding the parameters of spatial location, group type, register, and speed (Toop 2005, 170). Mostly features oboe, flute and clarinet, loosely in rhythmic harmony (homophonic).

The instruments are arranged left to right: Oboe -  Flute - English Horn - Clarinet - Bassoon. 14 0 obj

nsemble is led by bassoon playing "as slow as possible". 4 0 obj 22 0 obj endobj << /A << /S /URI /Type /Action /URI (https://www.erudit.org/fr/) >> /Border [ 0 0 0 ] /Rect [ 306 15.625 391.967 24.625 ] /Subtype /Link /Type /Annot >> << /BleedBox [ 19.8425 19.8425 625.157 670.157 ] /Contents 37 0 R /CropBox [ 19.8425 19.8425 625.157 670.157 ] /MediaBox [ 0.0 0.0 645.0 690.0 ] /Parent 4 0 R /Resources << /ColorSpace << /CS0 29 0 R >> /ExtGState << /GS0 30 0 R >> /Font << /T1_0 31 0 R /T1_1 32 0 R /T1_2 38 0 R /T1_3 34 0 R /T1_4 33 0 R >> /ProcSet [ /PDF /Text ] >> /Rotate 0 /TrimBox [ 21.0 21.0 624.0 669.0 ] /Type /Page >>

<< /BleedBox [ 19.8425 19.8425 625.157 670.157 ] /Contents 47 0 R /CropBox [ 19.8425 19.8425 625.157 670.157 ] /MediaBox [ 0.0 0.0 645.0 690.0 ] /Parent 4 0 R /Resources << /ColorSpace << /CS0 29 0 R >> /ExtGState << /GS0 30 0 R >> /Font << /C0_0 44 0 R /T1_0 31 0 R /T1_1 32 0 R /T1_2 38 0 R /T1_3 34 0 R /T1_4 33 0 R /T1_5 35 0 R >> /ProcSet [ /PDF /Text ] >> /Rotate 0 /TrimBox [ 21.0 21.0 624.0 669.0 ] /Type /Page >> This section probably has the most "organic" modulation between homophony and polyphony.

endobj 16.50 €, for the Mozart Flute Concertos in G and D Oboe is basically silent (aside from a few harmony accents) until, Tempo Disintegration: each layer enters using one of the 5 time measure tempo types, resulting in c, ontrasting (polyphonic) tempo and melodic layers, Unison tempo layers, a harmony phrase occurs at. endobj 18 0 obj

Aufstellung / Set-Up KONTAKTE English & German (PDF), Stockhausen-Stiftung | Stockhausen-Verlag, © 2013 Stockhausen-Verlag, all rights reserved.INHALT | CONTENTS, The compact discs may be obtained from the.

11 0 obj << /A << /S /URI /Type /Action /URI (https://www.erudit.org/fr/revues/circuit/) >> /Border [ 0 0 0 ] /Rect [ 498 707.4186 578 733 ] /Subtype /Link /Type /Annot >> Since the rhythm within the tempo are still observed, if the phrase has lots of sustained notes, it could still seem slow, but with some very fast moments. Kontakte by Karlheinz Stockhausen in Four Channels, Compositional Techniques in the Music of Stockhausen (1951–1970), Twelve Microtonal Etudes for Electronic Music Media, Studio for Electronic Music (WDR, Cologne), Studio di fonologia musicale di Radio Milano, https://en.wikipedia.org/w/index.php?title=Kontakte&oldid=965363675, Wikipedia articles with MusicBrainz release group identifiers, Wikipedia articles with MusicBrainz work identifiers, Creative Commons Attribution-ShareAlike License. Analysis, explanation and personal impressions of the works of the avant-garde composer Karlheinz Stockhausen. 71 €, for electronic sounds << /Count 11 /Kids [ 5 0 R 6 0 R 7 0 R 8 0 R 9 0 R 10 0 R 11 0 R 12 0 R 13 0 R 14 0 R 15 0 R ] /Type /Pages >> Speed up 10x to 6 secs (zigzag melody becomes rising tone color) . Musical Theatre with Kontakte / 38 €, for 19 players / singers / sound proj.

84 €, Version 2003 for tenor or soprano and synthesizer